Loriana Castellano possesses both the simplicity and the freshness required by Masetto and Zerlina – with her talent confirmed….. FORUMOPERA.COM LE MAGAZINE DU MONDE LYRIQUE


“Loriana Castellano offers a sensual portrait of Zerlina: the timbre is expanded, the acute is easy and her scenic performance returns with finesse all the emotions of the character to the audience”… opera –


Loriana Castellano is not the usual Zerlina with a soubrette voice, but, with her beautiful mezzo, she gives a warmer tint to a character that expresses a less innocent youthful sensuality, and therefore more mature and feminine… L’OPERA di Alessandro Mormile


“La Cenerentola” G.Rossini (Tisbe), Teatro Regio Turin

“Hilarious and well in focus is the stepsister performed by Loriana Castellano.. APEMUSICALE.IT di Emanuele Dominioni


Varied at its best, in a show in which there are no supporting roles, the pair of the stepsisters, a totally plausible double act of aspiring starlets seized by bouts of emotional eating: Loriana Castellano, Thisbe, turns her character into a little gem of irony, hilarious but never exaggerated.. di Roberta Pedrotti APEMUSICALE.IT


“A good performance is Loriana Castellano’s in the part of Thisbe, highly enjoyable scenically while depicting an unbearable character as never grotesque or caricatured, and always humanly plausible”…. GBOPERA.IT

Turco in Italia- Zaida

“Turco in Italia” G.Rossini (Zaida), Teatro Municipale in Piacenza

Busty and vocally exquisite the Zaida of Loriana Castellano… IMPICCIONEVIAGGIATORE.IT DI Andrea Merli


“Loriana Castellano sang well, with a remarkable voice and she was also great fun in Don Geronio’s apocryphal air, when she gently reminds him of his “horns”.. ILTRILLOPARLANTE.WORDPRESS.COM di Fabio Tranchida


“Well outlined the Zaida of Loriana Castellano that gives the character the solidity of her timbre and the confidence of her singing style”… OPERACLICK.COM

Ser marcantonio- Bettina

“Ser Marcantonio” S.Pavesi (Bettina), Festival Rossini in Wildbad, Germany

“Loriana Castellano in the role of the devilish “bride” Bettina. I have recently seen a recital of the Matrimonio segreto in which Loriana Castellano sang the role of Fidalma, praising her beautiful ‘ambered’ timbre (reminiscent, albeit distantly, of the unique and precious voice of Valentini Terrani), good technique and verve: all qualities already highlighted, albeit more unripely, in this recording from three years ago. The artist from Puglia (South Italy), full of spirit and without affectation, comes out victorious from a very serious role, with a smooth entry for at least two full octaves (from La grave to acute one), addressing the frequent descents into the chest register with gusto and without inflating her cheeks, and showing a certain affinity for the agile singing style. In short, the Queen of the party “.    GB OPERA

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